David Hockney b. 1937
26 x 33 7/8 in / 66 x 86 cm (sheet)
The composition is almost identical to the paper pulp work Diving Board with Shadow, Paper Pool 15, 1978. Over the series Hockney varies the number and combinations of coloured inks used, pushing this one image in as many ways as he can. There is a print made using a single cyan blue, while others are made in 2, 3, 5, 6 and 7 colours.
The catalogue raisonné notes exactly how the present print was made:
7 runs: 7 colours; 7 runs from 4 stones and 3 aluminium plates:
1 light cyan blue; method 1a; IIa
2 medium cyan blue; method 1a; IIa
3 cyan blue; method 1b; IIa
4 dark green: method 1a; IIa
5 transparent cyan blue; method 3c (LF); IIa
6 transparent cyan blue; method 3b (LF); IIa
7 medium green; method 1a; IIa
1a means the image was drawn on stone
1b means the image was drawn on aluminium sheet
3b means the image was made from knife-cut masking film
3c means the image was composed from photographically prepared line film, halftone film or both
IIa indicates these were made on a Flatbed Offset Lithography Press, where an indirect impression was transferred from the printing element to the blanket cylinder and set off onto paper
Provenance
Walker Art Center, Minneapolis, U.S.A.Offer Waterman, London
Exhibitions
Kenneth E. Tyler, Barbara Delano, Kim Tyler, Marabeth Cohen, Tyler Graphics, Catalogue Raisonné 1974-1985, Walker Art Centre, Minneapolis / Abbeville Press, New York, 1987
Literature
Tyler Graphics, Bedford, NY, David Hockney 23 Lithographs 1978-1980, illus colour
Museum of Contemporary Art, Tokyo, A Print Retrospective 1954- 1995, 9 October - 15 December 1996, cat no.204
Elizabeth Armstrong, Pat Gilmour, Kenneth E. Tyler, Tyler Graphics: Catalogue Raisonné, 1974-1985, Walker Art Center, Minneapolis & Abbeville Press, New York, cat no. 245:DH32, illus colour p165